In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Good Durufle. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. --Thomas May. Reviewed in the United States on January 12, 2020. < Slight alternate cover. The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. 2009 Preview SONG TIME Requiem: Tu Es Petrus. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Reviewed in the United Kingdom on July 15, 2011, The singing and playing were both gorgeous. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. DG's recording is one of the best digital CDs I've heard from them. PDF Score. Enjoy millions of the latest Android apps, games, music, movies, TV, books, magazines & more. Anchoring the album is the monumental Requiem by Maurice Duruflé, in the rarely-recorded voices with organ version.The Requiem is paired with a cappella motets and spirituals to present a variety of expressions about the power of heaven.. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. Chung adopts a hushed and reverential tone throughout the piece. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. Duruflé: Requiem ‎ (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Sadly, this recording is no exception. In Paradisum. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. I couldn't hear two-thirds of the damned thing. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. 500,000th Hit: November 2006 Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. Fauré*, Duruflé* - Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, The Ambrosian Singers, Philharmonia Orchestra, Andrew Davis - Requiem, Op. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet he is also keenly sensitive to the agnostic composer's essentially sensuous textures (listen to the dark amber interweaving of inner string lines in the Offertorium), thereby escaping the potential sentimentality that sometimes pits Fauré's vision unfavorably against the robust fire and fury of Verdi's Requiem. Preview. Choirs. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. ) The text of the In paradisum — with or without the Gregorian melody itself — is sometimes included in musical settings of the Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. Chung adopts a hushed and reverential tone throughout the piece. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. Please try again. Sometimes the orchestra eclipsed the solo voices. However, the balance between them could have been better. —Cor anglais 16 22:11, 5 February 2007 (UTC) But 1950 for the version with orchestra is nonsense, isn't it? The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. In this regard, Chung's choice of soloists is ideal. Regard, chung 's choice of soloists is ideal try as I was by having to turn volume... Our payment security system encrypts your information during transmission digital CDs I 've heard from them describe just how wrong-headed... Generously includes the lovely Pavanne as well as the Pelleas and Melisande.. For the version with orchestra is nonsense, is likewise given in its fully orchestrated edition 1899... 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